Posts Tagged With: Dali

Art or nature?: considering the post-mortem poaching of rhinos

Dali faces his muse in this photograph by Philippe Halsman. Photo courtesy of the Salvador Dali Museum.

The surrealist artist Salvador Dali believed the horn of the rhinoceros to be among the most perfectly constructed objects in nature for its logarithmic spiral that maintains the same curve as it grows. Upon being given one as a gift, he exclaimed, “This horn will save my life!” Dali strived to mimic its pattern in painting, trying to lift the delicate horn from the lumbering form of the whole rhinoceros.

A string of post-mortem poaching is now forcing us to consider whether rhinoceros and their horns are art or nature. Since May of this year, rhino horns and heads have been stolen from museum exhibits in England, Germany, Italy, Belgium, and France. Another was taken from an auction house in Essex. While at first the idea of thieves making off with monstrous rhinoceros heads may conjure comical images, these unexpected robberies are well-organized and increasingly successful.

In the Belgium town of Liege, a man pulled a rhino horn off a specimen in the zoological museum, tear-gassed the guards, and took off towards the Netherlands in a car waiting outside. When the car was apprehended at the border, the two thieves told investigators they were supposed to leave the horn at a statue in Helmond, for an anonymous buyer paying them $4275 for the heist. At the Natural History Museum of Belgium, in Brussels, three men smashed through a window with their stolen rhinoceros head and successfully fled the scene. In the most recent robbery, in Blois, France, thieves dragged a two hundred and twenty pound rhinoceros head along the natural history museum’s floor and escaped successfully with the trophy.

The string of robberies has caused concern in the museum community. The Natural Science Collections Association has recommended museums remove rhino horns from public display, and even suggest hiding information about rhinos and rhino horns in their collections from public view on websites and collection databases.

Valued for traditional Chinese medical treatments and Middle Eastern dagger handles, rhino horn has been known to sell at a higher price than gold. But rhinos all over the world are endangered. Along with these museum robberies, poaching in Africa has also been more frequent this year than in recent memory. Some scientists and conservationists have even begun to label rhino poaching a drug war. But why has it spread to European museums?

Two years ago, the European Commission ruled that rhinoceros trophies, including the horn, could be legally sold and traded. Their intent was not to encourage the trade in rhino horn for medicine, but to create a free market for rhinos as art and artifact. Previous to this ruling, all rhinos—living and dead—were protected by endangered species laws. Stuffed and mounted rhinos shared the same protection as their living descendants. Recently, the Commission updated its regulations, working with the Convention on International Trade in Endangered Species (CITES) to institute a ban on the trade of all rhino horn. Only horn that has been carved (thus making it more art than nature) before 1947 (more artifact than commercial commodity) is excluded.

The Heads and Horns collection of the Bronx Zoo, now dismantled, is at once art, artifact, and nature. Photo courtesy of the Wildlife Conservation Society.

The taxidermied rhinoceros heads stolen are at once art, artifact, and natural specimen. Displayed in the halls of museums, they represent the nineteenth-century era of trophy hunting. They are visual symbols of African colonization. And they are associated, sometimes, with famous figures of exploration or royalty. Even if the horn has not been carved, taxidermy itself is an art form. Thus, when a rhinoceros head is stolen, it robs us of an object of historical and artistic worth.

The problem of post-mortem poaching is a problem for those regulating trade in art and in animals. It calls attention to the perceived value of animals outside of their natural habitats. If a rhino horn is worth more than its weight in gold, should we not invest in rhino futures? Or, will we simply lock all specimens away and forget the living animals associated with such priceless objects?

References:

Rylan Miller appears to have coined the useful term “post-portem poaching” in his article on the subject, “Thieves Just Stole ANOTHER rhinoceros head from a European museum,” Business Insider.

Andy Bloxham, “Police investigating international smuggling ring after theft of rhino head,” The Telegraph.

“Rhino head stolen from Brussels museum,” Saving Rhinos.

Categories: Animals, Museums | Tags: , , , , , , , , , , | 3 Comments

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